Wednesday, November 28, 2007

OK, Dad, just stay calm: "The Wild Bunch"

Yeah, it's one of Dan's favorite movies ever. Between this and "Cool Hand Luke," the guy has some weird Strother Martin obsession.

In fact, funny story about how I came to own this seminal late '60s Western on DVD. When mi papa got some kind of deluxe version to replace his original DVD, he gave me said original. Now it turns out that Dan recently bought yet another, high-def version of "The Wild Bunch," making it a total of three DVDs of the same movie he has purchased. So yeah, you can say he likes it.

And you know, that's not a bad thing, since it's a pretty good movie.

Director Sam Peckinpah cut his teeth on TV Westerns, but there's nothing family-friendly about this tale of an aging band of outlaws milling about the Texas-Mexico border in the 1910s and hoping for one last score. After some scene-setting and tension-building, the movie opens with a bang -- well, several bangs. We soon learn things aren't going so great for our gang of antiheroes, what with the leader's former partner now leading the pursuing posse. They don't get much better when the gang throws in with a sleazy Mexican general as a way to finally cash in and call it quits.

The cast is generally hailed as excellent, and I can't argue that. William Holden ("Damien: The Omen II"), apparently taking a role that many big names turned down, is the head of the crew, while Ernest Borgnine ("Airwolf") is his right-hand man. Robert Ryan ("I Married a Communist") is Holden's former partner leading a posse of nitwits, including the aforementioned Martin. Other well-known names include Warren Oates, Ben Johnson (not the disgraced sprinter), Edmond O'Brien and Alfonso Arau.

Pretty sold performances throughout, especially Holden and Ryan. The former strikes the right balance of weariness and hardassitude; "The Wild Bunch" usually is cited as the end of the classic Western, and was billed as showing "unchanged men in a changing land." Ryan, while having the less showy role, is just as good, doubly weary and worn down not only from being an old outlaw but from having the chase the guy he used to run with. Hell, he seemed to age another 20 years over the movie's two hours.

For some, though, the big thing about "Bunch" is the action and the editing. Suffice it to say that there's a lot of shooting, and on a grand scale. Beginning, middle, end ... bullets fly quite a bit, but in a decidedly messy, non-John Woo way. (Really, like Borgnine could fly through the air shooting two pistols at one time.)

Accentuating the bang-bang is a merciless series of quick cuts. According to IMDB, the average shot length is only three seconds -- and only one second during the climactic shootout. And they say today's filmmakers are all about the short attention spans.

Hard to say if this is the absolute best Western I've ever seen. I mean, there's "Young Guns II." But it's definitely solid, especially if you're into that whole "honor among thieves" thing. Heck, Peckinpah did such a good job, I'm almost tempted to rent "Convoy." Almost.

6 Comments:

At 10:27 PM, Anonymous Anonymous said...

I believe I owned just one VHS version of the tape, however.

But since we're talking Peckinpah, a quick assessment of his more notable efforts (not all of them westerns):

"Ride the High Country" (1962) -- Randolph Scott, Joel McCrea. If you're into westerns, it's a must-see. More conventional than "The Wild Bunch" but well done.

"Major Dundee" (1965) -- Charlton Heston. Somewhat overblown Civil War cavalry picture, but it looks good.

"The Wild Bunch" (1969) -- Let's just call it magnificent, OK?

"The Ballad of Cable Hogue" (1970) -- Jason Robards Jr. Quirky western comedy with L.Q. Jones and Strother Martin doing virtual reprises of their "Wild Bunch" roles. Sappy '70s score.

"Straw Dogs" (1971) -- Dustin Hoffman. English toughs test an American professor's manhood. Tense drama with a brutal finish. Worth seeing.

"Junior Bonner" (1972) -- Steve McQueen. Contemporary rodeo picture that never did much for me.

"The Getaway" (1972) -- Steve McQueen, Ali McGraw. Contemporary western. They rob a bank; bad guys and cops chase them across Texas. Probably Peckinpah's last really good movie. Much better than the Alec Baldwin-Kim Basinger remake. And, yes, that is Howard Sprague.

"Pat Garrett and Billy the Kid" (1973) -- Kris Kristofferson. Title says it all. Not horrible, but what's Bob Dylan doing here?

"Bring Me the Head of Aldredo Garcia" (1974) -- Warren Oates. Contemporary western. Can't really call it good, but worth watching just to see Warren Oates in a leading role. And, c'mon, that is a great title.

"The Killer Elite" (1975) -- James Caan, Robert Duvall. They're CIA assassins. Saw it again not that long ago. It's still pretty ordinary.

"Cross of Iron" (1977) -- James Coburn. German soldiers on the Russian front. It's decades since I've seen it, but I don't remember being impressed.

"Convoy" (1978) -- Kris Kristofferson. Inspired by a song inspired by the CB radio/truckers craze. Bad.

"The Ostermann Weekend (1983) -- Rutger Hauer. Peckinpah's last film. The CIA conspiracy novel by Robert Ludlum (author of the Bourne books) was pretty good. Sadly, this isn't.

 
At 5:46 AM, Anonymous Anonymous said...

If you liked "Convoy", you might want to check out "Honky Tonk Freeway" Starring William Devane make the rounds on HBO or Showtime. Its not really good or anything but it has trucks.

 
At 12:04 PM, Anonymous Anonymous said...

...but then no one liked Convoy.

 
At 4:17 PM, Anonymous Anonymous said...

I liked "Convoy" but that could be because I'm a truck.

You know...a truck that turns into a robot.

 
At 12:16 PM, Anonymous Anonymous said...

Peter Cullen couldn't have said it any clearer.

 
At 2:53 PM, Blogger Jefferson said...

So I had to look up who Peter Cullen was, and I saw that he was the voice of Optimus Prime, and I immediately regretted the previous 20 second of my life. But then I saw he also narrated "Voltron," which made everything better. Excelsior!

 

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